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whudat
Kelis
Kelis - Kelis Was Here
 (Jive/Zomba Recordings)

- reviewed by The Black Pixar

Let's go back to the video for Bossy, specifically the "Diamonds on my neck, Diamonds on my grill" scene. In that maybe ten seconds of video footage we get a clear cut image of who Kelis is on "Kelis Was Here".

We have homegirl dead center in front of the camera in a black hoody with a white button up on. Multicolored grill in mouth, diamond encrusted necklace and charm pieces dangling. Hair did, make up made and she's looking fresh as hell. The makeup and hair push Kelis' raw sex appeal, she's an incredibly hot woman.

We knew that when she brought all them boys to the yard. The hoody thrown up with the grill, they in part tell us homegirl is not above cutting a bitch. She's a lil tough, a lil street, but not in that weird "i think she wears underwear with dickholes in it" way. And the charm piece necklace with the diamond encrusted joint tells us that Kelis is getting her grown woman on but at the same time is not above rocking some cutesy throwback joints too [you might even catch her on a Sunday with a lil' Chanel bobo or some ish like that]. more..

- reviewed by The Black Pixar

Let's go back to the video for Bossy, specifically the "Diamonds on my neck, Diamonds on my grill" scene. In that maybe ten seconds of video footage we get a clear cut image of who Kelis is on "Kelis Was Here".

We have homegirl dead center in front of the camera in a black hoody with a white button up on. Multicolored grill in mouth, diamond encrusted necklace and charm pieces dangling. Hair did, make up made and she's looking fresh as hell. The makeup and hair push Kelis' raw sex appeal, she's an incredibly hot woman.

We knew that when she brought all them boys to the yard. The hoody thrown up with the grill, they in part tell us homegirl is not above cutting a bitch. She's a lil tough, a lil street, but not in that weird "i think she wears underwear with dickholes in it" way. And the charm piece necklace with the diamond encrusted joint tells us that Kelis is getting her grown woman on but at the same time is not above rocking some cutesy throwback joints too [you might even catch her on a Sunday with a lil' Chanel bobo or some ish like that]. We get the idea that if you caught her in the club you'd be as likely to catch her grinding Mr. Jones in the middle of the dancefloor to "Sexyback" as getting buck with the dudes when "Bia, Bia" came on, as doing the wop when the DJ rocked some Debbie Deb. And as you listen to this album you catch songs that fall into those categories pretty easily.

We all know the aforementioned "Bossy", huge 808 beat with the dainty harpsichord/xylophone(?) melody riding it. Big beat where Kelis comes hard on the chorus and still gives you a lil futuresex on the verse. This is getting buck and co-opting crunk and southern rap into pop/RnB without going the obvious route and making an entire song about candy paint or sittin' on 23's. We get a less aggressive but no less cocky version of this formula later on in the album with "Aww Shit!" which has your girl talking big over a Timbaland-esque big beat with a weird alien sounding synth line and some big trunk rattling drums. Straight up hoody and grill material here [no fall BBQ].

When we get into the sexy Kelis we have "What's That Right There" produced by Will.I.Am from the Black Eyed Pea. The Black Eyed Peas are essentially the most generic pop-rap imaginable short of Nick Cannon. They sound like Gap khakis, if Khakis rapped about "lady lumps" but, they don't really have bad beats. And on this song we get a very vapid pop songstress approach on the chorus/intro and the song sounds like BEP but, as soon as that synth drops out we get alot of attitude from Kelis and the song is redeemed. Homegirl starts talkin about "girlies wanna fight me but you just wanna bite me" in a sexy snarl but then in a couple bars tells us she "put the shimmy on your coco puff".And right there we know that we do not have "lovely lady humps part 2." We've got something a little more esoteric here [maybe an h&m gaucho].

And while were on the topic of sexy Kelis we have to talk about "Like You". The chorus takes you back to whatever little junior high school jumpoff you had. On some Kevin Arnold/Winnie Cooper Wonder Years type of shit, with Kelis cooing "i dont just like you. i like you like you" on the chorus. Take in the exceedingly cutesy beat and we have a song thats sexy in a way that's innocent, and we rarely get that these days. That is until Kelis drops this line "first date is going real well, he's making me hot. Or is it his cock?" followed by a coy laugh and a pause. Bam! Look. Look at your face. Just like that she let's you know she's a seductress and she knows exactly what she's doing with the cutesy shit. This is not a goddamn game. She in that one moment does Britney's schoolgirl bit 10x better than Britney. Britney is gross now anyway.

When we have the throwback Kelis on tracks like "Living Proof", "Weekend", "Handful" and "Trilogy" where she does an excellent job of channeling mid-eighties electro girl groups like Klymaxx or any of the female Prince protégés (think the likes of vanity six here) and manages to update that sound for the 06. Sassy ass shit but still fun. Girls getting ready to hit the club type shit. Stiletto pumps in the club.

Admittedly while there's the occasional off track here and there this album is pretty damn consistent quality wise while jumping around a fair amount in the specific style employed. Overall we're left with an output that has alot of personality to it and the mark of "Kelis Was Here" all over them.

back to the ratings..

Track By Track
-- Degrees --102030405060708090100
1.  Intro
2.  Bossy
3.  What's That Right..
4.  Till the Wheels Fall Off
5.  Living Proof
6.  Blindfold Me
7.  Goodbyes
8.  Trilogy
9.  Circus
10. Weekend
11. Like You
12. Aww S***!
13. Lil Star
14. I Don't Think So
15. Handful
16. Appreciate Me
17. Have a Nice Day
The Industry Says

Stylus Magazine.com - C- "It's tempting to view Kelis as someone caught in the trap of her own eccentricities. Because her voice resides somewhere in the no-woman's land between Macy Gray and Erykah Badu, she's got grit and she's got (neo-)soul, but she ain't got enough of either to secure a slot with the heavy hitters. Her vocal tone is distinctive, sho' nuff, and it lends itself to the options we've already seen her exercise—come-hither wench, bossy bitch, sultry hook girl. But stretched over an album's worth of raspy shit? Erm, not so much."


Pitchfork Media.com - 7.5 "Kelis Was Here is a study in contradictions and a difficult nut to crack, an album whose appeals seem straightforward and yet are curiously hard to pin down.. the r&b singer who proudly describes herself as “the first girl to scream on a track” rifles through a myriad of styles over the course of 70 minutes, haphazardly throwing everything at the wall.. It's simultaneously exhaustive and exhausting: A struggle to digest in one sitting, but curiously accommodating to repeat listening."


XO's Middle Eight - - "The Kelis album is out now and its damn good. Period. Kelis has enough personality /smarts to work with a Humvee-full of producers and still sound like herself (unlike some other artists I have complaint with at the moment - hear me JT and JJ?). Yes, it is too long, but I just deleted about six songs from my iPod; someone else can have those and I'll stick with these favorites...



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